Book Review: Ghost Story by Peter Straub

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Title: Ghost Story

Author: Peter Straub

Release date: January 1st, 1979

My history with Straub is limited. Growing up, my first exposure to horror was when my neighbor, Patti Moody, would let me borrow her Stephen King books. This started when I was eight or nine. I began making my through her books, always thankful to her for letting me read them. I eventually got to the one titled ‘The Talisman’ which was co-written by Straub and King. I loved it and asked Patti if she had any of Straub’s work. She didn’t but she did believe our tiny Burton Community Hall Library did. She looked for me and sure enough, the only book they had was one titled ‘Ghost Story.’ She borrowed it for me, as I was too young to take it out at the time. I devoured it. It had me up for nights, long past when I should’ve been asleep and it gave me nightmares for weeks after.

Now, some thirty years later, it was a book that I vaguely recalled events from but not enough to accurately recall most moments. You may know my love of a specific author and after seeing he had re-read it and raved that it held up, I knew I needed to dive back in once again.

What I liked: The story follows a group of older men who gather to tell each other stories. The stories are designed to frighten each other, but what occurs now, is one such tale coming back to have real life implications and events to unfold related to it.

Straub weaves the story masterfully, as one would expect from an author of his stature and ability. The characters all feel like older relatives we each have, with their odd little quirks and funny-isms that only they have. The location/setting works well to have a big city aesthetic with a small town flow and the first few discovers that occur are so spot on with creating internal terror, you’ll be absently pulling your feet closer to your body, no matter where you sit.

This book is a classic case of revealing done right. The opening sequences with the man standing over the girl and practically begging her to tell him who she really is would’ve made for an unsettling novella purely on its own, but once you understand it is wrapped up in a larger narrative, the ripples begin and they travel far off from the shoreline.

What I didn’t like: Large sections of the novel will feel dated and some newer (IE younger) readers will smirk or question why certain things are done they way they are, but that is the case for the year this occurs.

For me, it did remind me a lot of my recent re-read of ‘Frankenstein.’ That book had sections that came across as phenomenally tedious and completely unnecessary, especially when compared to the masterfully pristine portions that showcase some of the best writing and horribly dark moments you’ll ever read.

Why you should buy this: Straub has long been a favorite author of King and it is a book like this that showcases that. Straub has also been a massive, massive influence on so many of the current crop of super-authors, those horror writers who are churning out best-sellers, Netflix and Worldwide Theatrical releases. This book is a masterclass is developing atmosphere and keeping the reader’s mind agape with potential. Really, really dark and disturbing book and one that should be considered a must-read.

4/5

3Q’s – S.P. Miskowski knocks on some dark doors!

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Hey, hey! Welcome back to another fun one!

Today’s guest is a critically acclaimed author who continues to rattle the blackness within with each and every release. I’m truly honored to introduce today’s 3Q’s guest!

Please welcome S.P. Miskowski!

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Steve: What does your writing time look like? Do you try to write at the same time each day? Do you have a word count you attempt to hit?

S.P.: The shape of my day varies throughout the week, but my best writing time is early morning. Before I read the news or check social media. The idea is to pick up as few bits of distracting information as possible before climbing back into the world of the story or novel.

Some writers benefit from keeping a daily word count. I don’t. For me, writing is a release from all things mundane and repetitive. A specific word count feels too much like an assignment. What works for me is content. I try to complete an arc or reach the end of a scene or chapter during a writing session.

On certain days, if I have some free time, my efforts may not be quantifiable at all. Let’s say I’m writing a novel and I’m drawn to a certain film, but I don’t know why. I screen the film and discover something not included in the synopsis, an image or a theme related to my novel. Because of this film I understand how certain elements of my story fit together. But I haven’t typed any words that day. Was the time wasted?

Steve: If you could write a story for another author’s fictional world/series, which would it be and why?

S.P.: It was an honor—and a lot of fun—to write a story for the Matthew M. Bartlett tribute anthology, Hymns of Abomination. Sending one of the characters from my series, the Skillute cycle, to Bartlett’s terrifying town of Leeds gave me a new understanding of both worlds. As you develop a background over several books, you can unintentionally lock into one way of seeing things. Placing a character in another writer’s fictional realm shakes things up. It’s great.

Steve: Tell me about your newest release (novel/story/poem/novella) and why someone should read it!

S.P.: In July my novella, Muscadines, became the fifth book published in Mary SanGiovanni’s Tempest Line at Thunderstorm Books. It’s a lovely limited signed edition. I’m thrilled that the book, originally published by Jordan Krall at Dunhams Manor Press, has a new life. It was a finalist for a Shirley Jackson Award the year Victor LaValle’s brilliant novella The Ballad of Black Tom won. Read it to find out how scary women can be. Every reader who thinks of women as beneficent and maternal and caring should really have that cherry popped by a book like Muscadines. Happy reading!

Direct link: https://thunderstormbooks.com/thunderstorm/book/muscadines/

Steve: Bonus Question! Do you have a cherished book?

S.P.: I have many cherished books. One is Yoko Ogawa’s collection, Revenge. It’s full of strange, gorgeously written, interconnected stories. The layering of events and characters yields this dense, almost magical world that is nevertheless grounded in reality and tinged with horror. I love it.

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Oh, very cool! Thank you so much for doing this S.P.!

For those looking to discover more work, click the links!

Amazon: https://www.amazon.com/S-P-Miskowski/e/B002GG88ZA

Twitter: https://twitter.com/SPMiskowski

Website: https://spmiskowski.wordpress.com/news/

3Q’s – Somer Canon wants to eat the rude!

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Got a fun one today, friends!

Today’s guest is the Splatterpunk Award-Nominated author that always brings some deliciously dark worlds to us. Please welcome, Somer Canon!

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Steve: What does your writing time look like? Do you try to write at the same time each day? Do you have a word count you attempt to hit?

Canon: I am definitely a creature that thrives with a routine. Having said that, these past two years because of the virus-that-shall-not-be-named, my two sons have been homeschooling and any routine that I ever had in regards to my own creative endeavors was thrown out of the window. Under my previous tried and true routine, I tried for at least two hours a day writing and I tried for a minimum of 1,000 words. It’s sometimes a hectic dash, and sometimes a really chill writing session. I never know what I’m gonna get.

Steve: If you could write a story for another author’s fictional world/series, which would it be and why?

Canon: I’d love to play in the Thomas Harris universe. I’d like to relegate Hannibal Lecter to a peripheral character rather than a main character, not because I hate him, but because that character is sacrosanct and my grubby fingers have no right to mess with him. But a horror-heavy crime novel with the FBI profilers and advice from Lecter? Heck yeah!

Steve: Tell me about your newest release (novel/story/poem/novella) and why someone should read it!

Canon: My new release is titled “You’re Mine” and it’s my longest work to date. It’s a witchy book that’s sort of my love letter to the alt-goths of the late 90s-early 2000s. Possessive boyfriends, drug addiction, witchcraft, and curses are all some of the elements of this work. Young love is full of sex, drama, and big emotions that are sometimes too much for those young minds to handle. This book explores those different emotions and shows how young love can drastically shift from euphoria to dangerous and bad…sometimes with a body count.

Steve: Bonus Question! Do you have a cherished book?

Canon: I do! I have two copies of Dante Alighieri’s The Divine Comedy that includes the full set of wood engravings by Gustave Dore. A lot of these books would have the engravings cut out of them and framed for display, they’re so beautiful, so having a book with the full set of engravings is brag-worthy. If my house were on fire, these books would be on my list of things to save.

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*Steve note – I’m not sure what edition Somer has, but when I searched for a cover image to use, I thought this one was really striking! *

Awesome! Thank you so much, Somer!

As always – check the links!

Amazon: https://www.amazon.com/Somer-Canon/e/B01D3E9F78/

Twitter: https://twitter.com/SomerM

Website: http://www.somercanon.com/