Book Review: Terror at Back Woods Lodge by Eddie Generous

Title: Terror at Back Woods Lodge

Author: Eddie Generous

Release date: October 1st, 2024

Over the years, Eddie Generous has found a groove that’s let him continue to release fantastic, slasher/thriller/creature feature novellas at a rate that is simply mind-boggling.

Don’t believe me? Go take a look at his output listed on Goodreads. And while there, don’t look at the sheer volume of releases and think to yourself that they are not good. No, Eddie continues to pump out fantastic gems that grab you and don’t let go.

When he shared on IG that his next book was going to be released on his own, instead of with Severed Press (as they’ve started to go the route of using AI covers – BOOOOO), I was so excited. Look at that cover! At first you think it’s a werewolf, but you’d be wrong. Instead, it’s some massive rat-beast, trashing a car. Sign me up!

What I liked: The story is set in the 80’s and follows a group of divorced folks, who all head into the British Columbia wilderness for an art retreat. A former hunting lodge has been repurposed by the owners, looking to get new business. What they don’t know is that hundreds of years ago, a horrible event occurred and the company behind it, is still up to nefarious things.

Generous gives us a brief introduction to the folks who’re attending, and then from that moment on, it’s essentially all teeth, claws, blood-fountains and screams. The group begins to be picked off, even as love blooms between a few, and as more go missing, those still alive contact the RCMP to get help, though, as expected, the cops believe this to be a rogue grizzly or moose.

Throughout, the scenes of carnage are the highlights and easily remind the readers that Generous is the same person behind the Unnerving series ‘Rewind or Die.’ This could’ve absolutely been a featured novella when those books were coming out and would’ve been a highlight of the series.

The final quarter of the story features a very unique ‘revelation’ that transforms some of the prologue into a more impactful aspect, as well as gives us an unexpected hero to battle the rat-beast. It was a very fun, engaging moment and allowed the epilogue to feel connected and not thrown on for word or page count filling.

What I didn’t like: The reality here, is that all the characters, even the main ones, are very light in terms of depth of development and in some cases, even description. It does lessen the impact of many of their deaths, but honestly, it didn’t both me, because I expected no survivors. The way Eddie framed this one, I figured it was a creature-slasher where this rat-beast would come in, lay waste to the attendee’s and return to the woods.

I will say, the part that will either work or not for people will absolutely be the transformative aspect to the story near the end. Readers are either going to pump their fists or shake their heads. In my case, I was stoked, but I can see why some may not respond to it.

Why you should buy this: While different in vein to Eddie’s monumental releases ‘Plantation Pan’ and ‘The Walking Son,’ this novella is a tight, action-packed story akin to his ‘Savage Beasts of the Arctic Circle’ – only more fun. It might be because of the setting, or that it just felt like Generous was having a blast writing this, but not matter, this one hummed along from start to finish and had me grinning like a mad man throughout. If you’re a huge fan of Hunter Shea’s style of creature-slashers, then this might be the perfect Generous novella to dive into, if you’ve never read him before. Otherwise long time fans of Eddie’s are in for a treat!

5/5

New Developments in the DarkLit/Marceau Publishing Fiasco

Today, the HWA emailed me to let me know Caitlin Marceau has filed a complaint against me, stating that I’ve harrassed them online. If you’ve followed along, you’ll know none of this is personal – purely business/contractual failings – & something we’ve been very upfront about. Caitlin has also previously labelled us misogynists, & at this time, we’ve still not received a public apology, nor has Yolanda received an apology for how she was treated or any update on the significant editorial fees owed to Austrian Spencer. This past weekend some royalties were paid out, though discrepancies & questions regarding those remain. I’m sharing the email I’ve received from the HWA (with the sender redacted) & my reply, as, from the beginning, we’ve been forthright with being transparent.

Email (with screenshots below);

“Steve,

I am contacting you with the consent of the HWA Board and copying the Executive Director. We received a troubling email from a member, Caitlin Marceau, complaining that you are harassing her online and defaming her character.

Now, to be clear, none of this happened in HWA spaces so we cannot intervene; however, as she is a member, we gave her advice and passed on the information about the Grievance Committee, which is there for members to settle business disputes.

Here is the page with that information: https://horror.org/grievance-committee/

Since you are a member, we felt that it was our responsibility to alert you to her formal complaint and give you the same advice. We also would like to encourage you to stop posting in public about your issues with her and her press and please utilize the grievance committee to adjudicate this issue. See above.

We let her know that you would be contacted as well.

We are here to help our members. We have formal processes especially for business disputes.

We urge you to take that route.

Please let us know if you have any questions.”

My reply;

“Morning (redacted)! I hope all is well and October looks promising for you!

Thank you so much for letting me know.
To be upfront, it’s not surprising, though the allegation of personal harassment, is at best, laughable, as everything I’ve posted online has been factual and accurate and is directed at Caitlin Marceau EiC of DarkLit Press and Hedone Press, while nothing is directed towards Caitlin Marceau the person.
I’m aware the HWA won’t be intervening into Caitlin and DarkLit’s publishing fiasco, which is where this issue is stemming from, nor that the HWA will intervene on the very real libel issue Caitlin has created by publicly labelling the group of authors seeking royalty compensation as misogynists. I’m unsure what role the grievance committee can play here, nor how they’d be involved, as what lies before us and Caitlin is both a legal financial issue and a legal libel issue.

If you have any further information you’re able to share with me, I’d be interested in seeing/hearing about it.

Thank you for your time and bringing this matter to my attention.
Take care,
Steve”

This is where we sit at the moment and I plan on submitting everything to the HWA, showing there’s been no shred of personal harassment towards Caitlin Marceau, while from the other end, there’s now been a misogyny claim still out there and now a false harassment claim.

As always, I’ll keep you posted.

Screenshots of the HWA email;

My reply;